Quotations on Books

Standard

 

Bust_of_Cicero_(1st-cent._BC)_-_Palazzo_Nuovo_-_Musei_Capitolini_-_Rome_2016

(https://en.wikipedia.org)

“A room without books is like a body without a soul.”

                             Marcus Tullius Cicero

Stephen_King,_Comicon

(https://en.wikipedia.org)

“Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn’t carry a book around for those inevitable dead spots in life.”

                                            Stephen King

 

1200px-Umberto_Eco_04

(https://it.wikipedia.org)

“We live for books.”

                                             Umberto Eco

 

13419286_107261596365479_1669962131930926510_n

“Books are the food and drink for the human soul.”

                                Charles F. French

To Writers

Standard

typewriter-801921_960_720

(www.pixabay.com)

To all the writers who read this blog:

This is a very difficult time for all of us. Please remember to do the best that you can to endure. Please remember to value yourselves and your writing. Please remember that you are writers, no matter if you are published, self-published, or beginning a work. Please remember that if you write, then you are a writer.

Be proud of yourselves.

Value your writing.

Keep writing!

paper-3111146_960_720

November Self-Promotion Party!

Standard

Hello to all the writers out there and reading this blog!

It is well into the month of November, so it is time for a shameless self-promotion party; please do not be shy about your work.

Writers need to be their own best publicists, and we should also help each other!

Let the world know about your book(s)!

Promote them as much as you can!

Shout to the world about your writing!

Tell us about your book(s), and leave an image and a link if you can.

Here is my shameless self-promotion: my latest nonfiction book can help writers who have issues with finishing first drafts of their books. If that is you, I offer direct, practical advice on how to Get The Draft Done! Helping Writers Finish Their First Draft by Charles F. French.

In order for as many people to see your work as possible, please Tweet, and reblog this post!

Please remember to be proud of your work!

My latest novel, just released is Evil Lives After: The Investigative Paranormal Society, Book 3.

Available on Amazon

GetthedraftdonepossEbookcover!-page-001

Get The Draft Done! is available here: Amazon.com

GallowsHillFinalCoverEbook

Gallows Hill can be found here in ebook.

Gallows Hill in paperback can be found here.

An interview about Gallows Hill can be found here.

32570160

Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

coverIPScookbook

Available on Amazon

New Poems by Robert Fillman

Standard

I am honored to announce the publications of new poetry by the extraordinary poet, Robert Fillman!

“Witness” which appears in Split Rock Review

Witness

Probably by now, my friend
has recovered from the shock
of finding his pet rooster
headless and strung to the fence.
He has no doubt untangled
the thing, his bare hands perhaps
sticky with feathers and stained
with blood, the knees of his pants
maybe cool, wet from kneeling
on damp earth, having buried
the bird, taking care to smooth
the mound with a shovel, still
not realizing what transpired,
how he had hunted it down
before dawn and drunk with rage
bent over its body, choked
last crows from its throat and stole
the morning light from its eyes
before returning to his
home and probably crawling
into bed, without knowing
what he was capable of,
how late he’d sleep, what silence
would follow his every step
when he finally started
his long list of daily chores.

Three poems in hamiltonstone
 

Promises

My father didn’t talk

much to me as a kid.

So each sentence glimmered

 

as if it reflected

his eyes and not the mug

of beer lifted beneath

 

the yellow kitchen light

those nights on Union Street.

My son’s hesitant Yes

 

I would like that brings me

back to words my father

never said but guided

 

into me with his hands,

the even syllables

of a saw pulled across

 

a two-by-four, the rasp

of a taping knife scraped

over spackle, the smack

 

of an old baseball trapped

in the web of his glove.

Each act translated back

 

to a promise of love,

the only way he knew

how to cure the silence.

Omen

The mountain as severe

as my grandfather’s brow

in that small airless room

during his final hours,

I see a barn owl soar

out of the ridge’s mouth,

its big head, terrible

eyes cursing all color,

as if it were hell-bent

on draining the season

 

of red maple, black gum—

every leaf a target.

It doesn’t seem to know

the difference between

misery and mercy,

the living and the dead,

that my grandfather warned

Go easy on your kids

before he closed his eyes

and slipped away his hand.

 

My body suddenly

tight, bracing for a blow,

as if I am the prey,

a small, soft animal,

yet I’m surprised to feel 

a fluff of brown feathers

then a rush of wings that

beats on, flooding my ears

with what could only be 

the sound of a last breath.

 

The Vanity of It All

Two months into quarantine

and I’m still shaving my head,

scraping a razor across

the curve of my skull every

single night, the edge of each

blade sounding like my mother’s

cheerful voice those mornings she

greeted me at the breakfast

table with pink lips, bluish

black mascara, two eyebrows

perfectly penciled on. Her

uniform for a long day

of chores in an empty house,

the sagging clotheslines, the hours

of stirring sauce on the stove,

all the dirty dishes stacked

in the sink, my father’s shirts

piled for ironing, shower

and toilet always needing

to be scrubbed. In the bathroom

steam I’m staring at myself

in the mirror as I rub

a palm over scalp to feel

some small comfort. I lean in,

clicking my tongue if I spot

even one errant hair I

might have missed, those wisps I am

desperately hiding from

whom? My wife and kids? Maybe

a delivery man or

that nice neighbor who brings us

our groceries? All the while

my mind tries to smooth away

this human need of keeping

up appearances, this strange

compulsion to polish things,

with every swipe of the blade

memories of my mother’s

painted face reflecting bright

in the shine of a brass pot.

And two poems in Innessfree Journal

On date night my wife must choose

 

between love and food because
her body will not allow
her both, so I ask her to
starve herself in one way so

I can be satisfied in
another. Last night I grew
frustrated by her illness,
selfishly imagining

how every spoonful to her
lips was a cold betrayal,
willingness to twist with pain
on the couch and not with me,

heating pad strapped to her gut,
the nausea setting in,
all color drained from her face,
as if each little swallow

were another nail punching
through the white skin of her breast.
Now I’m left wondering if
my depravity caused this

crucifixion, how all she
craved was a scoop of ice cream
from the cafe down the street,
how I will writhe in hell,

be made to atone for these
wicked thoughts, no saint to save
me, no matter how badly
I hunger for forgiveness. 

 
 
Learning to Listen

I remind both kids to be
extra good today, insist
their mother doesn’t feel well,
that she has to stay in bed—
and hate myself for it.

            Kids
should be able to be kids.
But when my son suddenly
leaps onto the couch and makes
the springs cheep and squeak I snap,
ask why he never listens,
threaten to send him to his
room alone if he doesn’t
stop, my voice breaking apart
when I notice the redness
of his cheeks, the tears that will 
follow.

             Then I consider  
how only moments before
the three of us were huddled
by the window watching four
goldfinches peck at feeders
on our porch, how my daughter
said they were a family
flitting about, their frank chirps
a break from the hard silence. 

Robert Fillman is the author of the chapbook November Weather Spell (Main Street Rag, 2019). His poems have appeared in The Hollins Critic, Poetry East, Sugar House Review, Tar River Poetry, Valparaiso Poetry Review, and others. Fillman earned a Ph.D. in English from Lehigh University and is an Assistant Professor at Kutztown University.   

DSC_1778-214x300

CvrNovWeather_bookstore

Available for purchase at:

The Main Street Rag Online Bookstore

Favorite Horror Movies: Part Six: Dr. Jekyll and Mr. Hyde

Standard
JekyllHyde1931

(https://en.wikipedia.org)

Based on Robert Louis Stevenson’s novel Strange Case of Dr. Jekyll and Mr. Hyde from 1886 , which gave the world the epitome of the double, one of the central characteristics of the Gothic genre, this 1932 film is one of the best horror films of that decade or any other time. Robert Mamoulian directed and Adolph Zukor produced the film for Paramount.  Fredric March played Jekyll and Hyde and won the 1932 Oscar® for Best Actor. The film was expensive, coming in at approximately one half million dollars to make, and it was also a financial as well as critical success, making about one and one quarter million dollars–a huge amount of money in those days.

Jekyll_and_Hyde_Title

(https://en.wikipedia.org)

The film is an excellent adaptation of the novella, something I rarely say about any film.  I love films almost as much as I do books, but almost any adaptation of a film is inferior to the book. The novel has the ability to speak directly to the reader, and the reader’s mind creates images that go much further and deeper than the particular aspect of a director’s vision, at least usually.  Stevenson’s novella is oddly short and would have benefited from begin developed in much more depth.  I can speak to that in another post in the future.  This film develops much of what is only hinted at in the Victorian era novella and is one of the few examples of when a film is superior to the book on which it is based.

The book hints at being a metaphor for drug addiction and the concurrent behavior of addicts, when their worst selves emerge. This film, in a manner that is overt for the early 1930s, visually makes these suggestions.  When Jekyll transforms for the first time, Mamoulian uses Jekyll’s POV (point of view) and shows us the images whirling through his mind.  Rather than eliminating his negative and evil impulses, he manages to bring them out to the front, and Mr. Hyde indulges his desires.

The book and the film also speak to the issue of the misuse of science and the unguarded pursuit of knowledge. This hubris, always punished by the gods in Greek Drama, was seen earlier in Frankenstein, and it is an issue that will continue to haunt us not only in contemporary films such as Jurassic Park but also in the very real world of scientific research.  Atomic weapons immediately come to mind as an example of how science can produce terrible as well as wonderful ends.  This film, in Gothic fashion, speaks to the problems of scientific hubris, uncontrolled by ethics.

Fredric_March-1

(https://en.wikipedia.org)

Fredric March was one of the great leading men of the time. He had a long and extraordinary career, including winning the Best Actor Oscar® two times.  Arguably, his performance in Dr. Jekyll and Mr. Hyde was his best work of his career.

If you have never had the opportunity to watch this film, I recommend it highly.

evi lives after cover

(coming soon!)

GetthedraftdonepossEbookcover!-page-001

Get The Draft Done! is available here: Amazon.com

GallowsHillFinalCoverEbook

Gallows Hill can be found here in ebook.

Gallows Hill in paperback can be found here.

An interview about Gallows Hill can be found here.

32570160

Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

FOE_Cover_French

Available on Amazon

coverIPScookbook

Available on Amazon

Favorite Horror Films: Part Two: The Cabinet Of Dr. Caligari

Standard

CABINETOFDRCALIGARI-poster

(https://en.wikiquote.org)

In this post, I will continue my series on favorite horror films, now focusing specifically on movies of the 1920s.

Another  brilliant horror movie of the 1920s is Robert Weine’s The Cabinet of Dr. Caligari — The German title is Das Cabinet des Dr. Caligari — (1920). The plot of the film centers on a mad scientist, Dr. Caligari, a hypnotist, played by Werner Krauss, who exploits a sleepwalker, Cesare, played by Conrad Veidt, to commit murder. It is one of the earliest horror movies and ushers in a decade of greatness in film-making, especially in German cinema.

nightmare

(http://cinewiki.wikispaces.com)

The true power of the film is in its cinematic style, that of German Expressionism, which is based on the artistic movement of the same name. German Expressionism uses sharp angles, deep shadows, heavy use of darks and lights, and distorted forms to explore the psychological impact of visual images. In this art, the world is often not as it seems to be, and the artists explore distortions that lurk under the surface of apparent normalcy. What is perceived is often deeply disturbing and challenging.

'The_Prophet',_woodcut_by_Emil_Nolde,_1912

“The Prophet” Woodcut by Emil Nolde: 1912

(https://en.wikipedia.org)

Weine employs these revolutionary cinematic techniques to disorient, frighten, and interrogate the audience. Cesare is a common man, forced by an arrogant authority to become a murderer, which is clearly a commentary on the dark forces at play in Europe in the early parts of the 20th Century, some suggested by contemporary writers. As Weine suggests, the mass of people in Europe would, in the coming decades, be manipulated into creating the horror of Nazism and the Holocaust. I am not claiming that Weine somehow could see into the future, but that he perceived the traumas occurring in Europe, and those distortions appear in his film. Like Weine, other writers, such as Franz Kafka, also saw such coming disturbances.

franz-kafka

(https://en.wikipedia.org)

While only some of Franz Kafka’s brilliant and disturbing literary works had been published at this point–“Metamorphosis” (1915)– is the best example, Kafka’s treatment of the darkness and alienation in society could be an influence on this movie. While it is not certain, I believe it is the case. Regardless of if this is true or not, Weine creates a deeply disturbing movie, one that maintains its power to this day, one that I recommend for all lovers of film.

GetthedraftdonepossEbookcover!-page-001

Get The Draft Done! is available here: Amazon.com

GallowsHillFinalCoverEbook

Gallows Hill can be found here in ebook.

Gallows Hill in paperback can be found here.

An interview about Gallows Hill can be found here.

32570160

Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

FOE_Cover_French

Available on Amazon

coverIPScookbook

Available on Amazon

September Self-Promotion Party!

Standard

Hello to all the writers out there and reading this blog!

It is well into the month of September, so it is time for a shameless self-promotion party, so please do not be shy about your work.

Writers need to be their own best publicists, and we should also help each other!

Let the world know about your book(s)!

Shout to the world about your writing!

Tell us about your book(s), and leave an image and a link if you can.

In order for as many people to see your work as possible, please Tweet, and reblog this post!

Please remember to be proud of your work!

Here is my shameless self-promotion: my latest book can help writers who have issues with finishing first drafts of their books. If that is you, I offer direct, practical advice on how to Get The Draft Done! Helping Writers Finish Their First Draft by Charles F. French.

GetthedraftdonepossEbookcover!-page-001

Get The Draft Done! is available here: Amazon.com

GallowsHillFinalCoverEbook

Gallows Hill can be found here in ebook.

Gallows Hill in paperback can be found here.

An interview about Gallows Hill can be found here.

32570160

Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

FOE_Cover_French

Available on Amazon

coverIPScookbook

Available on Amazon

Quotations By Franklin D. Roosevelt

Standard

 

“The test of our progress is not whether we add more to the abundance of those who have much; it is whether we provide enough for those who have too little.”

 

“Democracy cannot succeed unless those who express their choice are prepared to choose wisely. The real safeguard of democracy, therefore, is education.”

 

“Repetition does not transform a lie into a truth.”

Grading Is Done!

Standard

low angle photo of fireworks

(Photo by rovenimages.com on Pexels.com)

Yay! I finally finished grading for the second summer session classes I taught at the Muhlenberg College School of Continuing Education in Allentown, PA. I had two courses in the second summer session: Literature and Film and Renaissance Plays In Process, and both courses had a full enrollment.

I had a wonderful time teaching these classes, and of course, I had much to grade at the end. That leads to a question–who is the person who assigns these papers anyway? Hmmm . . .

And now it is time to finish syllabi for the Fall semester which begins in one week!

And I can also return to writing. I had to take a few days off to complete my schoolwork.

Quotations On The Knowledge Of History

Standard

MichaelCrichton_2

4/11/02 Michael Crichton ’64, HMS ’69 speaks on “The Media and Medicine” at Harvard Medical School in Boston, MA on Thursday, April 11, 2002. staff photo by Jon Chase/Harvard University News Office

“If you don’t know history, then you don’t know anything. You are a leaf that doesn’t know it is part of a tree. ”

                                                                     Michael Crichton

 

Carl_Sagan_Planetary_Society

(https://en.wikipedia.org)

“One of the saddest lessons of history is this: If we’ve been bamboozled long enough, we tend to reject any evidence of the bamboozle. We’re no longer interested in finding out the truth. The bamboozle has captured us. It’s simply too painful to acknowledge, even to ourselves, that we’ve been taken. Once you give a charlatan power over you, you almost never get it back.”

                                                                    Carl Sagan

George_Santayana

(https://en.wikiquote.org)

“Those who do not learn from history are doomed to repeat it.”

                                                                    George Santayana

 

“We should and must judge our leaders by their knowledge of history.”

                                                                    Charles F. French